Second-hand Art — Donna Hopkins

I love sourcing art from second-hand stores. I have a hard time leaving behind art that speaks to my heart and is handmade, especially if it is signed. There is something incredibly endearing about placing your name on your art and claiming it as a part of yourself. When people visit our home, they often ask me, “Where did you get all of these paintings?” The answer is always a thrift shop. I love to collect old photographs, vintage oil landscapes, maps, ephemera, architectural drawings, and botanical prints. I’m always on the lookout for art with texture, patina, and a bit of wear. My house is my canvas and the art is ever-changing.

Lately I’ve been photographing second-hand oil landscapes with the intention of creating a small collection of vintage art prints. Maybe for note cards? Or small artworks to share with friends? Or maybe just as my way of documenting the art and the craft of making things.

I added one still life oil panting to this collection, too. I am fascinated by the art of combining simple everyday objects—a slice of cantaloupe, an apple, spring onions, a cup or a bowl—to create vignettes. Styling for still life, whether photography or painting, can feel contrived and disconnected. But when it’s done right, the placement of things can make for art that is deeply moving.