“An ordinary life isn’t ordinary when you put a frame around a moment.” —Joel Meyerowitz
Central to my growth as a photographer is opening myself up to creative influences. I am inspired by the work of master photographers as I spend time interpreting and trying to understand the thinking behind their famous compositions.
I’ve long admired the work of Stephen Shore, especially those images in the series, “American Surfaces” and “Uncommon Places.” Even those titles are intriguing. They make me want to see the story.
I’ve had mixed feelings about Shore’s image, Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975. At first glance it seems chaotic with too many elements in the frame. It took a while for my eyes to settle and begin to study the scene. But once I walked into the picture, I began to see the connections between the elements; the shapes and lines; the use of space; the careful decisions about what is placed in the frame. The scene is so everyday, it’s easy to overlook. And yet it is powerful with motion and color. It stamps time, here and now. I see now the composition is not chaotic but rather complex.
I’m pushing myself toward a different way of seeing, exploring compositions that are more layered, more complicated.